About me examples for musicians
An About me page is read by someone judging a person rather than a company, which is why it is first person even when the business is not.
Ten of them follow, written for musicians rather than filled in from a template. Your customer is a promoter, a booker, or a listener who just found one track, and what they are weighing up before they get in touch is booking a set that empties the room, from a description that told them nothing.
Plain and short
I am [first name], a musician in [your town]. I play live performance, session work and recording. Listen to a set, then tell me the room and the night you are filling.
Use this as the default on a personal site or portfolio.
What I am known for
I am a musician, and the part of the work I care most about is describing the music in terms a listener recognises rather than a press release. I am actively performing and recording, and my clients are mostly a promoter, a booker, or a listener who just found one track.
Use this when one specific standard is the reason people come to you.
How I got here
I came to this work from [where you came from]. [Number] years later the thing that still holds my attention is describing the music in terms a listener recognises rather than a press release. I am actively performing and recording.
Use this if the route in is genuinely interesting. Skip it if it is not.
What I am working on now
Right now I am mostly doing live performance, for a promoter, a booker, or a listener who just found one track. I am actively performing and recording. If you want to talk about session work, listen to a set, then tell me the room and the night you are filling.
Use this on a site you update. It dates fast, which is the point.
One human detail
I am [first name] — a musician in [your town], actively performing and recording. [One true, small detail: a sport, a rescue dog, the town you grew up in]. Mostly I do live performance and session work.
Use this where people hire the person. One detail, not a life story.
Names the reader
If you are a promoter, a booker, or a listener who just found one track, you are in the right place. I am [first name], a musician, and what I do about booking a set that empties the room, from a description that told them nothing is the reason most people stay on this page.
Use this when the right visitor should recognise themselves immediately.
Credentials, stated once
I am actively performing and recording. Releases you can listen to and a live history you can check, rather than adjectives about the sound. Beyond the paperwork: I work on live performance, session work and recording, and you can hear it before you read a word about it.
Use this where the licence matters and you do not want to lead with it twice.
The specialist
I do one thing: live performance. I could do the rest of the list, and for years I did. I am actively performing and recording. If that is what you need, listen to a set, then tell me the room and the night you are filling.
Use this if you have deliberately narrowed. It reads as confidence.
Under forty words
Musician in [your town], actively performing and recording. Live performance and session work. Listen.
Use this where the form gives you a box and no more.
The quiet one
I am [first name]. I have been a musician for [number] years, working for a promoter, a booker, or a listener who just found one track. I am actively performing and recording. If it would help to talk, listen to a set, then tell me the room and the night you are filling — there is no obligation in it.
Use this in a field where selling yourself hard would be a mark against you.
Writing for musicians: what actually matters
What should a musician’s website say that a generic one does not?
Three things, in this order. That you are actively performing and recording. That you understand the thing people are actually worried about, which for musicians is booking a set that empties the room, from a description that told them nothing. And what happens next: listen to a set, then tell me the room and the night you are filling. Everything else on the page is decoration by comparison.
What does a promoter, a booker, or a listener who just found one track check first?
The credential, then the proof. For musicians it sounds like this. I name the releases and where to hear them. I say who I have played with. I keep upcoming dates on the page. Put at least one of those above the fold rather than on a separate page nobody opens.
What is the most common mistake on a musician’s website?
Writing about the business instead of the customer. "We have been established since 1998" answers a question nobody asked. "Listen to a set, then tell me the room and the night you are filling" answers the one they are actually holding. If you only fix one thing, fix that.
How long should the copy be?
Shorter than you think, except where trust is being built. An About page of 120 well-chosen words beats 500 vague ones. The exception is anything explaining booking a set that empties the room, from a description that told them nothing — there, specifics earn their length.
Everything else for musicians
About me for other trades
- Plumber
- Electrician
- HVAC Technician
- Roofer
- Carpenter
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- Massage Therapist
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