Copy Examples

Tagline ideas for writers

A tagline earns its place by saying the one thing you want remembered. Ten angles here, not ten rewordings of one.

Ten of them follow, written for writers rather than filled in from a template. Your customer is an editor or a marketing lead deciding in a minute whether you can write, and what they are weighing up before they get in touch is commissioning someone who misses the brief, or the deadline, or both.


The service, plainly

Features and essays in [your town].

Use this when people search for the service by name and you just need to confirm they are in the right place.

The promise

You send a brief and a deadline and get a yes or no within a day.

Use this when the commercial promise is the thing that wins the job.

Reliability

The writer who says no quickly when it is not a fit.

Use this if doing the basic thing consistently is genuinely rare in your trade.

Credential

A working writer. [Your town].

Use this where the licence or registration does the persuading.

Local

The writer [your town] keeps recommending.

Use this when you serve one area and intend to keep serving it.

The worry, named

I link clips rather than list clients — every time.

Use this when your whole market has the same fear and nobody says it out loud.

The differentiator

Hitting the brief and the deadline without being chased.

Use this when you can name the standard you hold in a few words.

Specialist

Features and essays. That is the whole list.

Use this if you have narrowed deliberately. It reads as confidence.

For the customer

For an editor or a marketing lead deciding in a minute whether you can write.

Use this when naming who it is for does more work than naming what it is.

The invitation

Send the brief and the deadline and I will say yes or no within a day.

Use this where the tagline sits directly above a button.

Writing for writers: what actually matters

What should a writer’s website say that a generic one does not?

Three things, in this order. That you are published. That you understand the thing people are actually worried about, which for writers is commissioning someone who misses the brief, or the deadline, or both. And what happens next: send the brief and the deadline and I will say yes or no within a day. Everything else on the page is decoration by comparison.

What does an editor or a marketing lead deciding in a minute whether you can write check first?

The credential, then the proof. For writers it sounds like this. I link clips rather than list clients. I say what I am good at and what I am not. I quote rates ranges rather than "it depends". Put at least one of those above the fold rather than on a separate page nobody opens.

What is the most common mistake on a writer’s website?

Writing about the business instead of the customer. "We have been established since 1998" answers a question nobody asked. "Send the brief and the deadline and I will say yes or no within a day" answers the one they are actually holding. If you only fix one thing, fix that.

How long should the copy be?

Shorter than you think, except where trust is being built. An About page of 120 well-chosen words beats 500 vague ones. The exception is anything explaining commissioning someone who misses the brief, or the deadline, or both — there, specifics earn their length.